Marina Abramović retrospective celebrates the grand dame of performance art – but questions the genre’s future
In 1974, Marina Abramović performed a career-defining work at a small experimental gallery in Naples, Italy. The Serbian artist stood naked next to a table on which she had arranged 72 objects associated with pleasure and pain. They included a…
#GallerySoWhite: a digital exhibition exposing racism in contemporary art spaces
Art institutions are facing a reckoning over colonial histories and racist legacies. Though the issues aren’t new, calls to unpack the British art museum and heritage sector’s ties to colonialism have increased significantly over the past decade. As a result,…
